Em Questionnaire — 105 Questions on Pride Operations

Source: governance/Pride Business - Em Answers Questionnaire.xlsx Response Date: 24 March 2026 Respondent: Emily (Em) — Head of Programming and Promotion Coverage: 105 questions across 8 operational domains


Document Purpose

This is a structured questionnaire capturing operational, financial, technical, and governance details of Pride of Our Footscray. Emily (38-hour/week contractor, Head of Programming and Promotion) provided answers on behalf of the organisation. Responses provide detailed insight into current systems, gaps, and pain points.

Key Sections and Findings

Finance & Accounting (Q1–6)

Accounting Software: Xero (since inception)

Bookkeeping:

  • Was done internally; checked by external accountant before tax return
  • Internal bookkeeper left November 2025
  • Bookkeeping now done by CEO “when he has time”
  • Gap: CEO-dependent bookkeeping reduces timeliness and creates bottleneck

External Accountant: Collins and Co, Footscray (since inception)

Invoice Management: Central email address (accounts@prideofourfootscray.bar) — seen by internal bookkeeper, CEO, and one employee who pays invoices. Invoices approved and processed through Xero.

Banking:

  • Primary: Westpac Bank (with Xero integration feed)
  • Secondary: Commonwealth Bank (used for cash deposits and change facilities due to superior equipment)

Payroll: All processed through Xero; superannuation paid directly through Xero

Point of Sale & Payments (Q7–30)

POS System: Square

  • Strength: “Light years ahead” of competitors; meets Pride’s specific needs
  • Weakness: Hardware regularly fails; costly to replace

Payment Terminals: Square hardware

  • Issue: Regular hardware failures

Tab/Pre-Auth System: Yes — pre-auth in Square; tab management via Square “Tickets” feature

Ticketing Platform: TryBooking (since 2018)

  • Status: “Super-partner” level with TryBooking
  • Importance: Very important for business

Staffing & Operations (Q11–18)

Headcount:

  • Full-Time: 2 (Mathew O’Keefe — CEO; Monique Anderson — Venue Manager)
  • Contractors: Emily — 38 hours/week (Head of Programming and Promotion)
  • Casual: Variable
  • Historical: January 2023 had 6 staff; 4 made redundant due to economic constraints

Roles Covered:

  • Management, Communications & Media, IT, Finance and Accounting, Hospitality (bar), Events

Security: External agency only (law no longer permits in-house security)

  • Provider: Highly trained guards through external agency

Rostering: Deputy (software platform)

  • Staff clock in via Deputy app on cash registers

Payroll: Via Xero; generates ABA files for bank transfer

Staff Compensation: Casual staff on Australian Hospitality Award wages

  • Wages rise every six months according to award

Marketing & Social Media (Q18–25)

Instagram: ~15,000 followers

  • Manager: Emily (38-hour/week contractor)

Scheduling Tools: Meta Business Suite (for ad scheduling)

Paid Advertising:

  • Platforms: Primarily Instagram
  • Monthly Budget: ~$400/month

Website: Built on Google Sites

Google Business Profile: Managed by Emily (Head of Programming and Promotion)

Email Marketing:

  • Minimal formal strategy; low confidence in email effectiveness
  • “Often goes to spam or gets ignored”
  • Newsletter list exists but limited use

Customer Data Collection:

  • Loyalty program: 5% discount for email capture
  • TryBooking collects customer emails on behalf of Pride
  • Limitation: Low confidence in email efficacy

Internal Communications: Facebook Messenger (used by younger bartenders; email less effective)

Email Provider: Gmail (part of Google Workspace subscription)

Business Phone: 0417 219 899 — monitored by CEO (8am–4am)

  • Cannot afford dedicated staff for phone duty

Customer Contact Channels: Email, phone, SMS, DM on Facebook/Instagram

Venue & Licensing (Q30–47)

Capacity: 200 patrons (licensed)

Licence Type: Late Night (On-Premises)

Trading Hours: Licenced to serve Sunday–Wednesday 12 noon–4am; Thursday–Saturday 12 noon–5am; actual trading: Wed/Thu/Fri/Sat nights

Event Types:

  • Wednesdays: Art Class, Trivia, Comedy, Film Night (rotating 4-week schedule)
  • Thursdays: Lesbian Dance, Art Classes (rotating)
  • Friday/Saturday: Regular programming (drag, bingo, comedy, film, cabaret, burlesque, music, community fundraisers)

Kitchen/Food:

  • Kitchen about to open; very small
  • Menu: 3 items only (hot dogs, pizza, toasted sandwiches)

Stock Tracking: Manual only

  • Constraint: “Hectic nature of busy times makes it impossible” to track through Square
  • Inventory shrinkage: Minimal (alcohol doesn’t go off); beer waste minimal

Main Suppliers: ALM and Paramount (largest liquor wholesalers in Victoria)

  • Ordering: Via their online platforms

Cleaning: In-house by staff (formerly had contractor, too expensive given venue busyness)

Internet/Wi-Fi: NBN Business Broadband (Optus)

Sound/Lighting Systems: In-house

  • Sound managed by Emily (stage management responsibilities)

CCTV: Extensive system (required by liquor licence)

  • Type: Record-only (not monitored)
  • Access: Only when needed

Cloud Storage: Google Drive (part of Google Workspace)

Shared Login/Password System: Yes

  • Staff provided individual logons to key platforms
  • Track what’s happening by user

Beer Agreement: Mountain Goat brewery — 54,000 litre agreement

  • Sold: 49,000 litres (92% complete)
  • Status: Nearly over; plan renewal or renegotiation

Revenue & Profitability (Q48–56)

Primary Revenue Streams:

  • Alcohol sales (primary)
  • Ticket sales (important)
  • Additional: Functions, memberships, merchandise

Most Profitable Times: Saturday nights (higher spending)

Mid-Week Performance: Lower spending; people “don’t consume as much alcohol”; “have a good time” at events

Target Revenue by Night:

  • Wednesday: $1,500 (covers costs)
  • Thursday: $2,500
  • Friday: $6,000
  • Saturday: $15,000
  • Total needed: Weekly amount not explicitly stated, but weekend-heavy model implied

Fixed Costs:

  • Primary pressure: Performer/entertainer costs ~$4,000/week average (over many years)

Revenue Drivers:

  • Drag Bingo (very popular)
  • Eve Sapphic Night / Lesbian Dance Party (Thursday, monthly — very popular)
  • Lesbian Arts workshops

Walk-in vs. Ticketed:

  • Neighbourhood foot-traffic: “Really struggling,” deserted
  • Model: “Can sell 100 pre-sold tickets”
  • Implication: Almost entirely ticketed; minimal walk-in

Customer Engagement & Data (Q65–78)

Ticket Buyer Database: TryBooking collects and hosts customer emails

Customer Tracking:

  • Database of shareholders, members, and loyalty program participants
  • Plus TryBooking email collection

Membership & Loyalty:

  • Free loyalty program in place
  • Paid memberships available
  • Software: PinTuna (loyalty management)

Private Hire:

  • No regular table bookings
  • Cocktail bar (Superbia) and garden available for private booking

Refunds & Complaints: Sliding-scale tickets introduced

  • Free, hardship (half-price), concession options
  • Response to cost-of-living crisis

Point-of-Sale Upsells: Yes

  • Ticketing system asks if customer wants pizza or cocktail
  • Discount offered; helps Pride’s margins

Useful Customer Data: Postcode (indicates geographic catchment reach)

Customer Journey: Event discovery → event selection → ticket purchase

Customer Return Reasons: “Welcoming nature of venue” and “friendliness of staff”

Non-Return Reasons: Cost of living crisis; reduced alcohol consumption for health reasons

Feedback Collection: Primarily Google Reviews (formal); anecdotal compliments in-person

Staffing & Culture (Q76–78)

Diversity Hiring: Deliberately diverse staff mix; “Any individual walking in is likely to come across a staff member they can relate to”

Non-Alcoholic Offerings: Yes

  • “Good range of mocktails”
  • Actively promoted during mid-week events

Community Partnerships: “Deep relationships locally” achieved through “dedicated time spending time with people”

Reporting & Analytics (Q79–87)

Weekly/Monthly Reports: Rarely prepared formally due to “time and resource constraints”

  • Checking done informally via direct Square/Xero inspection

Performance Visibility: Financial targets and rough results shared between CEO Mat, Venue Manager Monique, and Head of Programming Emily

POS Reporting Capability: Can report by item, category, register, channel — NOT by staff member

Labour Cost Tracking: Scheduled against likely customer numbers

  • “Generally understaff events due to economic constraints”
  • Labour cost vs. revenue not formally tracked

Stock Shrinkage: Not measured (minimal waste; alcohol doesn’t expire)

Marketing Results: Instagram statistics watched; adjustments made based on likes/shares

Documentation & SOPs: Google Drive holds templates, but “not managed as closely as ideal due to time and resource constraints”

Data-Reliant Decisions: Programming is “most difficult to be data-reliant”

  • “Matter of constant luck, speculation and hope”

Training & Procedures (Q87–92)

Onboarding: 3 training shifts before expected to work alone

  • Training covers products and procedures

Opening/Closing Procedures:

  • Substantial documentation for bartender procedures (opening, on-shift, closing)
  • “More junior roles” less documented

Manager-on-Duty / Shift Handover:

  • Currently none due to resource constraints
  • Same manager sets up, runs shift, closes

Incident Documentation: Serious incidents documented; not all incidents documented due to resource constraints

  • Note: “Dictation sometime used”

Decision-Making & Authority (Q91–93)

Spending Approval Authority: CEO sets limits

  • Venue Manager given petty cash for necessary bar supplies and emergencies

Key Tasks Held by Owner:

  • High-level finances
  • Shareholder relationships
  • Government correspondence
  • Relationship with external accountants
  • Accounts payable review

If Owner Disappeared 2 Weeks:

  • High-level government communications would be first to break (ASIC, ATO correspondence)
  • “Everything else can be managed”

Automation & Integration (Q94–103)

Most Repetitive Tasks:

  • Paying performer/entertainer invoices (many invoices per week)
  • Supplier invoices
  • Money pressures make processing slow

Duplicated Tasks Across Apps:

Un-Integrated Systems:

  • Deputy (rosters) data must be manually entered into Xero
  • Clear inefficiency identified

Safe-to-Automate Tasks:

  • Responding to function inquiries (prepared responses for review)
  • Reporting and invoicing

Should Remain Human-Led:

  • External graphic design
  • Public communications
  • “As AI-free as possible” due to arts/creative business nature

Available Data Sources: POS (Square), timekeeping (Deputy), accounting (Xero)

Current Automations: None; “very little automation as at 24 March 2026”

Scaling Considerations: “Systems we have are solid”

  • Square: “Easy to expand to different locations”
  • Xero: “Easy”
  • Google Workspace: “Easy”

Standardisation Status:

  • “Reminder and work-flow systems are still too ad-hoc”
  • Key staff have different practices

Centralisation vs. Location-Specific:

  • Centralised: CEO, Head of Programming, Bookkeeper
  • Location-specific: Venue Manager, general staff

Documentation Gaps: Brand guidelines not written down; should be documented with core values


Pain Points (from second sheet)

Leadership & Management:

  1. Many tasks bottleneck around CEO
  2. Financial situation and company strategy held by CEO
  3. Budgeting processes dependent on CEO