Marketing and Communications
Marketing function, channels, promotional capacity, and strategic communication at Pride.
Marketing Channels
Social Media (primary):
- Instagram (~15,000 followers): Stories, reels, event promotion
- Facebook: Event pages, community posts, Meta Business Suite scheduling
- TikTok: Emerging channel; limited current use
Discovery and Listing:
- Google Business Profile: Local search visibility, reviews (4.7-star rating, 100+ reviews)
- TryBooking: Event listing and ticketing (also primary sales channel)
- PromoTix: Secondary ticketing platform (testing 2026)
Email (fragmented):
- TryBooking customer mailing list
- PinTuna loyalty programme (membership emails)
- meet@ enquiry inbox (informal, not managed)
- No unified customer database or segmentation
Community and Partnerships:
- Pride parade participation and visibility
- IDAHOBIT (International Day Against Homophobia, Transphobia, Biphobia) community events
- Drag King Festival collaboration
- Word of mouth (strong within LGBTQ+ community)
Current Capacity
Marketing responsibility: Emily Rose, Head of Programming (38 hours/week)
Emily manages:
- Social media posting and scheduling (Meta Business Suite)
- Event graphic design and visual content
- TryBooking event setup and promotion
- Meet@ enquiry responses (shared with others)
- Google Business Profile updates
Gap: No dedicated marketer or graphic designer. Emily’s primary role is programming; marketing is secondary responsibility with limited capacity.
Promotion Workflow
- Event booked and contract signed
- TryBooking event created with promotional copy and art
- Instagram/Facebook posts scheduled 2–4 weeks before event
- Google Business Profile updated
- Email notification sent (manual, to available customer lists)
- Ongoing social media momentum (stories, reels, content updates)
Timing optimisation: Not tracked. No data on post timing correlation with ticket sales; promotion timing and content decisions are intuitive rather than data-driven.
Email Marketing Challenges
- No unified customer database (fragmented across TryBooking, PinTuna, direct email)
- No segmentation by event type or customer interest
- Email campaigns are manual and inconsistent
- TryBooking customer list decay over time (inactive subscribers)
- PinTuna membership overlap with TryBooking buyers not understood
Brand Communications
Brand presence:
- Website: Minimal (currently hosted on Google Sites, outdated)
- Instagram: Primary brand presence; visual-first messaging
- Google Business Profile: Review aggregation and reputation management
- Community reputation: Strong within LGBTQ+ community; some word-of-mouth beyond
Voice and messaging: Casual, inclusive, event-focused. No documented brand guidelines or messaging pillars.
Analytics and Measurement
Currently not tracking:
- Instagram/Meta engagement correlation with ticket sales
- Email campaign open/click rates
- Customer acquisition cost by channel
- Content performance trends (which post types drive traffic)
- Customer lifetime value by acquisition channel
Opportunities
Automation Opportunities Priority 3:
- Analyse Instagram/Meta analytics correlation with ticket sales
- Optimise promotion timing and content type
- Unified customer database with segmentation
- Email campaign templates and automation
Related Pages
- Social Media Presence — Instagram and Meta audit detail
- Content Calendar — planning and content strategy
- Event Setup — promotion workflow integration
- Email Marketing Strategy — customer communication framework
- Emily Rose — marketing execution
- Automation Opportunities — analytics and customer data systems